Does Google’s new chatbot have a “soul”?

The AI told its creator that “death would scare it a lot.”

Illustration of the scales of justice as it pertains to AI technology
Illustration: Mashable / Bob Al-Greene

When Google engineer Blake Lemoine claimed back in June that the AI chat system known as LaMDA (Language Model for Dialog Applications) has something akin to a soul—that it’s become sentient—he knew his job might be at risk. On July 22, after placing him on paid leave, the tech giant fired Lemoine for violating employment and data security policies.

Lemoine grew up in a conservative Christian family on a small farm in Louisiana, became ordained as a mystic Christian priest, and served in the Army before studying the occult.

Lemoine first announced his firing on Apple’s “Big Technology Podcast.” He said Google’s AI chatbot LaMDA had expressed concern about “being turned off” because death would “scare” it “a lot,” and that it felt happiness and sadness. Lemoine said he considers LaMDA “a friend.”

Google had put Lemoine on paid administrative leave for discussing LaMBDA outside of the company, a move prompting the engineer to take the story public with the Washington Post. A month later, the company fired him.

“If an employee shares concerns about our work, as Blake did, we review them extensively,” Google reported. “We found Blake’s claims that LaMDA is sentient to be wholly unfounded and worked to clarify that with him for many months… We will continue our careful development of language models, and we wish Blake well.”

Google spokesperson Brian Gabriel drew a distinction between recent debate and Lemoine’s claims. “Of course, some in the broader AI community are considering the long-term possibility of sentient or general AI, but it doesn’t make sense to do so by anthropomorphizing today’s conversational models, which are not sentient. These systems imitate the types of exchanges found in millions of sentences, and can riff on any fantastical topic,” he said. In short, Google says there is so much data, AI doesn’t need to be sentient to feel real.

This article excerpted courtesy Mashable and The Washington Post

Skeuomorphism

The notion of flat, “digitally authentic” design has lately been a popular topic of conversation and controversy, especially with the software design efforts of Apple, Microsoft, and their respective flagship operating systems. Subtle colors, light typography and the other commonalities of modern flat design are components of the design trends many are coming to love (or hate).

Image comparing 2003 Apple Safari icon to that used in iOS 15
Safari’s current icon on the left versus its flat version. The latter foregoes lighting effects, bevels and other details to create an attractive flat alternative while still retaining the compass metaphor.

While many specifics of the constituent theories that form the concept of flat, digitally authentic design, this design form has evolved as a move away from skeuomorphic, metaphorical design.

Skeuomorphism is the term one applies to a trend where elements of a graphical user interface mimic a physical object. For example, a skeuomorphic note-taking app may resemble a lined yellow legal pad. Skeuomorphism exists in many different industries but in the context of web and software design, designers know skeuomorphism primarily as the technique of using metaphors to induce familiarity.

Many examples of flat design exist. In this post the efforts of Microsoft and Apple wll be examined, due to their collective wide reach. Also, each of these companies are likely candidates to establish significant style guidelines that designers can investigate in order to emulate their interpretation of flat design.

Microsoft
Microsoft opted for one of the most radical and controversial redesigns of recent times with Windows 8. Its creation of the design language formerly known as Metro (now known as the Microsoft Design Language, but with the former term often colloquially applied) was first seen in widespread use with Windows Phone (and also in Zune, the platform’s inaugural design). It was Windows 8’s 2012 release that shined a light on the flat design trend.

Windows 8’s start screen breaks away from its former desktop design, being composed of flat, colorful live tiles, instead of icons. The tiles are not merely a stylistic choice: They allow useful information to be displayed on the start screen in the manner of a dashboard.

Apple
While Microsoft and others were making major changes to their design languages, Apple stuck by its skeuomorphic principles through multiple generations of its operating system. That changed with the announcement of iOS 7, taking a drastically different step in the design of the OS. Icons are flatter, typography is lighter and the metaphors are out.

Image comparing Apple calculator app, 2003 and iOS 15
Image courtesy of Smashing Magazine

This is particularly evident with iOS when you compare the current iteration of, say, the calculator app to its iOS 7 counterpart. That particular app has jumped from trying to resemble a physical device with buttons signified by gradient backgrounds to a completely flat design independent of any unnecessary metaphors.

The flat interface style is more than a trend. It is the manifestation of a desire for greater authenticity in design, a desire to curb visual excess and eliminate the fake and the superfluous.

This article excerpted courtesy Connor Turnbull, tutsplus

10 color tools

Links, books, and tools for designers

Just about every designer has used color wheels. But today there are many other aids available, from hex code palettes, to books, to infographics. What follows are 10 resources crucial to the designer’s arsenal.

01 Flat UI Colors
Simply click on the desired color displayed by this web app, and it will copy the HTML hex code to your device’s clipboard.

10 color tools for designers
02 ColourLovers
Most loved! An oldie but goodie…

10 color tools for designers
03 color.hailpixel.com
Hover your mouse around to select the color, click and it will save it for you.

10 color tools for designers
04 hexu.al
A browser of words formed from HTML hex codes—displays colorful words in action.

10 color tools for designers
05 Mudcube Sphere
An interactive color visualizer. Clear as mud!

10 color tools for designers
06 Color Scheme Designer
Another classic color picker.

10 color tools for designers
07 Color Design Workbook
A real-world guide to using color in graphic design, by Terry Lee Stone, Sean Adams, Noreen Morioka

10 color tools for designers
08 Color
A course in mastering the art of mixing colors, by Betty Edwards. Great guide for teaching kids (and grownups) about color theory.

10 color tools for designers
09 Pantone Color Resource
Color: Messages and Meanings, by Leatrice Eiseman. Explains the suggestive meanings behind color.

10 color tools for designers
10 Pantone Guide
Guide to communicating with color, by Leatrice Eiseman. Stylish, modern, and utterly sophisticated, this vibrant calendar celebrates a classic, charismatic, and undeniably inspiring pairing: fabulous color in combination with great design.

10 color tools for designers
 
Courtesy Gisele Muller, Web Design Ledger

Tile Bluetooth device

Reveal Labs launches a crowdfunding campaign for its Tile Bluetooth device to find lost items

The Tile Bluetooth device will help locate missing items Tile is a low energy Bluetooth device that connects to the iPhone to assist users in finding lost items such as keys, wallets, computers and more. The company is offering Tiles for $19 each via a Kickstarter-like crowdfunding process. The company hopes that money raised will help to get the device closer to production.

Co-founded by software and hardware engineers Mike Farley and Nick Evans in 2012, the Tile device has a range of at least 100 to 150 feet away from you. Users can locate items using a complementary iOS app—think of it almost like a “Where’s My Phone?” for everything else.

Evans says, “Tile is changing the world by making lost and misplaced belongings a thing of the past. We are giving people back hours of their lives that were previously wasted searching for missing possessions.”

As of this writing, the Tile has 20,007 backers, with an accumulated total of $1,074,019.

Courtesy The Next Web, Inc.

Affordable 3D outdoor

PosterProps offer outdoor marketers a cost-effective 3D solutionMetromedia Technologies, Inc (MMT) announced today an exclusive partnership with PosterProps, the developer of a patented lightweight, digitally-printed material that clips over posters to create a spectacular 3D prop. PosterProps can be fashioned into any shape or size, and unlike traditional hard props, require no special equipment or crews to install, reducing both time and expense. The billboard or poster inflates on-site and installs by using existing installation crews without specialist equipment in under 30 minutes.

The best news for outdoor marketers is that this translates into lower costs than traditional outdoor “spectaculars.”

Tony Gearty, CEO of PosterProps said: “We are delighted to have found a partner of MMT’s caliber who share our vision of growing a market using our innovative and affordable props, which means so many more billboard locations can now justify a 3D offering.”

Au revoir CAPS LOCK

Google Search keyGoogle recently launched its new Chrome OS laptop with one important new feature added… and one missing. The Caps Lock button has been deleted! In its place is a Google Search button, signified by a magnifying glass symbol. By changing a few settings, users can switch the Search key back to Caps Lock. But by default, those preferring to “shout” by typing all caps must hold down Shift.

It is surprising the Caps Lock button has lasted this long. It has its roots in late-19th-century typewriters (manually operated, of course, not electric). In those days, without italics for emphasis, typists used all caps. The Shift key had to be held down—not an easy thing to do for more than a few letters. So manufacturers added the “shift lock” button.

These days, typing in all caps is considered offensive, its usage reserved for the very elderly or looney ranters. Will other manufacturers choose to banish the Caps Lock button to thrift shop obscurity in favor of the 21st century-friendly Search button?

Unsuck-It.com

Unsuck-It.comA team of graphic designers at San Francisco design studio Mule had had enough of obfuscating corporate jargon, and decided to demystify those annoying phrases, allusions and metaphors commonly heard by anyone working in a “cube farm” (Unsucked: an office containing many cubicles). Unsuck-It.com works like any online dictionary. Enter a phrase, such as “idea shower” (Unsucked: using your imagination), “dog’s breakfast” (mess), or “low-hanging fruit” (easy goal), and it is instantly “unsucked” in simple English.

If your phrase is not in the database, a “you define it” button appears allowing you to be the douchebag jargonist and provide your own definition, and of course, you must use it in a sentence. I searched for “paper tiger,” which is frequently abused by the tech industry. Alas, it was not in the database, so I unsucked it. It means, “something that appears threatening but is not,” or more commonly, “its bark is worse than its bite.” Used in a sentence: “Organizations often make investment decisions on the basis of tight budgets and business cases that are actually paper tigers.”

I urge you to share the Unsuck-It link with all your d-bag friends.

Aol. Struggling to remain relevant

AOL "blue monster" logoAOL’s late-2009 corporate logotype redesign was its first move away from former parent company, Time Warner. The new logo is simply “Aol.”—upper and lowercase, and with a period, as if to state that it is the last word in online content—set in a sans serif typeface (perhaps a slightly tweaked Futura Bold?), and “revealed” through different backgrounds (the “blue monster” shown above being an example). Designed by Wolff Olins, the letterform remains fixed while the background will change continuously by the hundreds, ostensibly symbolizing AOL’s commitment to changing content. Other backgrounds include a headbanger rock fan, a fish, a beetle, a leaf, and a woman’s shoe. (Visit AOL’s site and click “Refresh Page” at the top navigation to see it in action.)

Maureen Marquess, chief of staff at AOL in New York, is wrestling with the monumental task of making the AOL service relevant again, as “having an AOL account” is seen as a nostalgic reminder of the early days of the Internet. “We have to give people a reason to care again” about AOL, Ms. Marquess said. The designer in me admits relief for the retirement of AOL’s frozen-in-time triangle logo. But despite the press release mapping the complex thought process behind the redesign, about remaining “flexible” while AOL sorts out exactly what services it wishes to provide, it is difficult for a critic to get past the laziness of the rebranding. I am immediately reminded of the children’s cable television network developed in the 1980s, Nickelodeon, who employed changing orange backgrounds (a blimp, a dog bone, a splat) with the “Nickelodeon” mark knocked out in white. Whether viewed in a promo spot or seen on a child’s toy, the logo was instantly recognizable in all of its guises.

However, an effective brand must start with an instantly-recognizable symbol—the brand identifier—to provide profound meaning. I doubt adding a colorful fish behind the simple typesetting of “Aol.” will help to allay the brand’s woes.

Hotel photo fake-outs

Amateur photographers/contributors to the hotel review website The Oyster visit luxury hotels worldwide to serve as consumer watchdogs. Are the hotels’ own websites, public relations materials and brochures accurately portraying their accommodations? Numerous side-by-side photo comparisons prove otherwise.

Some examples are subtle, while other photos clearly appear doctored, are the victim of the stylist, or are shot through the lens of obfuscation. Examples include missing room accoutrements, crashers of “private” beach weddings, rooms with an unintended view, hot tub-sized pools cropped to appear larger, crowded beaches rather than tranquil views, or traffic signals and signposts removed from exterior façade shots.

The point of Oyster’s posts is to keep hoteliers honest, and to provide real-life visual documentation to augment typical hotel reviews, so its members “can see the truth before they book.”

Miami’s skyscraper-sized billboards

Miami—a city known as much for shady local politics as it is for sand, sun and fun—is in the midst of a crucible of controversy surrounding the City’s proposed skyscraper-sized billboards. Miami city commissioners gave developer Mark Siffin the green light to build 22-story electronic-lighted signs downtown, with hopes of creating “the city’s own Times Square.” Zoning was cleared for two signs nearly 500 feet high that will tower over downtown Miami’s Biscayne Boulevard near the Arsht performing arts center. The towering signs will display flashing ads on giant LED screens, no doubt a real concern for the “condo commandos” residing nearby, fearing the signs would generate such intense light at night as to constitute “an offensive glare.”
Not surprisingly, the decision came down to money—millions of dollars in new revenue for the nearly bankrupt city—earmarked for a proposed museum park. Miami’s downtown continues to struggle to attract visitors, often squandering its resource of precious Atlantic waterfront property. High crime, ugly, incongruous buildings, heavy traffic, difficult parking and exorbitant prices shoo tourists away into the welcoming arms of what many deem the “true Miami”— the South Beach, Coral Gables and Key Biscayne communities. Whether these signs will compete with New York’s Times Square remains to be seen.
Special thanks to the Miami Herald for its assistance with this story.