No double-space after periods!

Compare single-and double-spacingThere is no need to type two spaces following a period. Why? Simply put, typefaces used by modern computers are proportionally spaced rather than monospaced. Double spacing after periods was acceptable for typewriters, because the spacing between each character was of equal space. However, today if you type two spaces following a period, or any sentence-ending punctuation, a wide gulf of visually unappealing negative space is created. It looks amateurish.

Since the time described in the book of Genesis, those raised on primary school typewriting classes have been well-drilled to type two spaces.When designing for clients, I am often delivered text that was composed in a word processor rife with extra spaces. It is no bother for me to search and replace these with a single space—it is ingrained into my design process. However, experienced typographers know, for elegant copy in published work, single spaces are mandatory.

Urban Outfitters’ new “branding”

Urban Outfitters websiteHot on the heels of the Gap’s infamous lazy logo redesign (since withdrawn) comes another epic fail, Urban Outfitters. Usually reliable for being ahead of trends in clothing design, merchandising and communication, the apparel giant unveiled a clunky new look for its logo and website. The logo is a masterpiece of asymmetry and plainness, while the website’s sidebar navigation willfully mixes extended and condensed typefaces. Many critics have cited the logo’s similarity with Word Art examples found inside Microsoft’s Office suite, enabling amateurs everywhere to curve and bend type to create their own corporate logotype.

I would bet that by year’s end there will be an “emergency” logo design revamp, because this dog won’t hunt!

UPDATE
Since this was posted, UO has changed to a similarly bizarre branding scheme—at least for its website. This time round, clearly the same retail marketing team are conjuring 1991 with all its dots and squiggles. What do you think? Leave a comment below…
—Scott

Urban Outfitters 2013 home page

5 terrible typefaces

There are various reasons for qualifying a typeface as terrible for use in professional design. Some are overused, illegible, ugly, excessively cute, or a combination thereof. The following are the five worst, painstakingly ranked (and sure to be avoided) by yours truly.

Courier
A monospaced slab-serifed typeface designed in 1955 and originally intended for electric typewriters, whenever I see Courier used in print, I imagine the designer or printer failed to provide the proper font and Courier was its replacement by default. Handy only for computer coders who need columns of aligned text.

Monotype Corsiva
The de facto choice when a lazy designer/printer wishes to add some “elegance” to a business card or invitation. Illegible and clunky. Must resist.

Brush Script
Designed in 1942 and it looks it. Illegible. Vulgar. For added fun, try using it in all caps.

Papyrus
Since the 1990s, Papyrus has been made available to just about every computer in the world. And its use has exploded. I am sure poor Papyrus designer Chris Costello never intended text to be set at 12 point size! Film director James Cameron damned the torpedoes by famously using a variation of the typeface for his Avatar movie poster. Unfortunate.

Comic Sans
The “best worst” typeface ever, and a product of Microsoft. This casual and “cute” typeface designed by Vincent Connare in 1995 is the ultimate in amateurishness. There is even a movement to ban Comic Sans. Avoid using it, even if designing a comic!

Runners up were Curlz MT, Lazybones, Times New Roman, and Arial. Did I leave out your favorite? Leave a comment and let me know why.