The Black Keys rock ’n’ roll marriage

The Black Keys drummer Pat CarneyThe Black Keys are a rock duo from Akron, Ohio, and recently won two Grammy Awards, including the best alternative music album prize for their latest album, “Brothers.” I was born in Portsmouth, Ohio, a former industrial town on the bank of the Ohio River. It’s at the southern tip of the state, bordering on Kentucky and West Virginia. I never actually lived in Ohio—my father relocated our family to Chicago, and my mother returned to her Ohio hometown to finish the final trimester of her pregnancy with me. But feel an affinity with the state. It’s not a glamorous place, and I follow with interest the careers of Ohio artists and applaud any artist able to earn a name for themselves.

I remember clearly when the Black Keys’ first album was released, 2002’s “The Big Come Up.” At the time, drummer Patrick Carney was married to his teenaged sweetheart, Denise Grollmus. Grollmus is an excellent writer, and detailed in a post for Salon her love affair and ultimate painful divorce. It’s a moving story, and humanizes her relationship with a rising rock star through reminiscences of the Black Key’s first appearance on “Conan,” and she describes a poster for a band she and Carney formed before the Black Keys.

Does AT&T “rip off” artist Christo?

AT&T campaign and "The Gates" by Christo

Months ago I began noticing AT&T’s recent campaign, “Rethink Possible.” I was immediately struck by its similarity to the work of environmental artists Christo and his wife Jeanne-Claude. In the tv spot, people are seen draping various American monuments with massive sheets of orange fabric. It bears an undeniable similarity to pieces by the artists, specifically their 2005 installation “The Gates” in New York’s Central Park. (In the image seen above, compare the top image from AT&T’s spot with “The Gates” by Christo). The draped fabric was a metaphor for AT&T’s broad cellular phone “coverage” in the United States. (Click here to view the spot.)

Christo and his lawyer filed a complaint with AT&T, and the company has since added a disclaimer to the end of the commercial stating, “The artists Christo and Jeanne-Claude have no direct or indirect affiliation or involvement with AT&T.” (One could imagine the two parties arguing over the type size of the disclaimer; it is indeed rather prominent.)

Christo made a splash in the 1980s while I was a youngster living in Miami. Christo’s “Surrounded Islands”—an installation where the artist surrounded eleven islands in Miami’s Biscayne Bay with giant pieces of floating pink polypropylene—was best viewed by helicopter, and dazzled us for two weeks.

Special thanks to Huffington Post for its assistance with this story.