A look back at the UPS whiteboard

UPS whiteboard guyNearly three years ago, shipping giant UPS launched its “whiteboard guy” campaign. The guy—with distractingly long hair—demonstrates various features of UPS’s services by drawing on a board with a brown marker. (Perhaps creative inspiration came from FOX television’s hit hospital series, House M.D., whose main character played by actor Hugh Laurie uses a whiteboard to great effect.)

The “guy” is no actor but Andy Azula, the creative director at the Martin Agency in Richmond, Virginia. According to Azula, he pitched the idea to the client with himself at the whiteboard. “[UPS] liked the idea and went to work to try to find someone to talk and draw like I did in the demo.” When UPS left the decision to consumers in a focus group, they picked Azula.

UPS announced that New York’s Ogilvy & Mather has since taken over the account, not due to lack of success, however. According to spokesman Norman Black, UPS wants an agency with global offices, and the Martin Agency only maintains U.S. operations. Martin has handled the UPS account since 2001 and is responsible for its “What Can Brown Do For You” tagline. (This bizarre tagline could be fodder for a blog post of its own.) The whiteboard tv spots were widely spoofed on YouTube, and, as the sincerest form of flattery, on NBC’s “Saturday Night Live.”

This story has an ironic musical footnote. The soundtrack for the tv campaign is the instrumental intro of the song, “Such Great Heights,” recorded by electronic indie pop band The Postal Service. The group is so named because its two members—Jimmy Tamborello and Ben Gibbard—produced much of its songs by collaborating remotely via the United States Postal Service. (Not by UPS, apparently).

Does AT&T “rip off” artist Christo?

AT&T campaign and "The Gates" by Christo

Months ago I began noticing AT&T’s recent campaign, “Rethink Possible.” I was immediately struck by its similarity to the work of environmental artists Christo and his wife Jeanne-Claude. In the tv spot, people are seen draping various American monuments with massive sheets of orange fabric. It bears an undeniable similarity to pieces by the artists, specifically their 2005 installation “The Gates” in New York’s Central Park. (In the image seen above, compare the top image from AT&T’s spot with “The Gates” by Christo). The draped fabric was a metaphor for AT&T’s broad cellular phone “coverage” in the United States. (Click here to view the spot.)

Christo and his lawyer filed a complaint with AT&T, and the company has since added a disclaimer to the end of the commercial stating, “The artists Christo and Jeanne-Claude have no direct or indirect affiliation or involvement with AT&T.” (One could imagine the two parties arguing over the type size of the disclaimer; it is indeed rather prominent.)

Christo made a splash in the 1980s while I was a youngster living in Miami. Christo’s “Surrounded Islands”—an installation where the artist surrounded eleven islands in Miami’s Biscayne Bay with giant pieces of floating pink polypropylene—was best viewed by helicopter, and dazzled us for two weeks.

Special thanks to Huffington Post for its assistance with this story.